Mostly shot on location, the movie is full of shady characters depicting a fading era in a famously corrupt city trying to cope with change amid moral decay. Mysterious forces abound. Folks get murdered. There is a love interest. Law enforcement is everywhere. The chief villain is almost sympathetic. The soundtrack is striking. So is the acting. Memorable scenes and dialogue abound. After all the carnage, you don’t know watching the ending whether to cry or cheer, but you know you’ve seen something profound
Since I am New To Las Vegas, you might think I’m writing about “Casino.” That’s the 1995 Martin Scorsese-directed movie starting Robert De Niro and Sharon Stone about the rise–and fall–of corrupt mob control over the casinos that help build up Las Vegas.
But I’m not. Instead, I’m describing “The Third Man.” The film noir, starring Joseph Cotton, Orson Welles, Trevor Howard and Alida Valli, is about corruption in post-World War II Vienna, Austria. The flick had its world premiere in London exactly 75 years ago today, in 1949. Continue reading